Following almost a decade of development, Jeff Greene’s residential conversion of 100 Vandam Street in Hudson Square, Manhattan has officially topped out. Designed by COOKFOX Architects, the 330-foot building artfully repurposes a 131-year-old coal power plant as a partial podium for 19 stories of new construction above.
The stone façade has begun to climb up the twisting curtain walls The XI, a pair of towers designed by Bjarke Ingels of Bjarke Ingels Group in Chelsea. One of the most noticeable construction projects along the High Line, the 36- and 26-story reinforced concrete towers, which topped out in March, will soon be home to condominiums and a 137-room Six Senses Hotel Resorts Spas, the first location in the United States. Eighty-seven of the residential units will be designed by Gilles & Boissier, while 136 will be designed by Gabellini Sheppard. Prices will range from $2,575,000 to $14,500,000.
Renderings have been released for a new 78,000-square-foot development in downtown Jersey City that could introduce a mix of residential, commercial, and outdoor space pending approvals from the Division of City Planning. Located at 163-165 Newark Avenue, the proposals include new construction as well as the restoration and reuse of an existing façade. The development also includes annexed components at the corner of Barrow Street and Christopher Columbus Drive.
This week YIMBY checked out 75 Nassau Street, the planned site of a striking tree-topped residential skyscraper designed by ODA and developed by Lexin Capital. Located in the Financial District, the plot from which the 498-foot-tall, 312,000-square-foot tower is due to rise currently sits empty, with no recent signs of activity since the demolition of five buildings that once stood on the land.
Work is finishing up on 151 Mercer Street, the new four-story flagship store for Tory Burch. O’Neil Langan Architects designed the 10,000-square-foot SoHo project, which replaces an old two-story garage that formerly occupied the site. Located between West Houston Street and Prince Street, the building’s dark steel cladding and indented windows give it a sleek, modern look that contrasts with the adjacent brick structures and the cobblestone-street aesthetics of the neighborhood.