Shadowed by the high-rise buildings surrounding Zuccotti Park, a sculptural rose has been permanently installed in the heart of Lower Manhattan. Titled “Rose III,” the 26-foot-tall floral structure, was created by German artist Isa Genzken and donated to Brookfield Property Partners by Lonti Ebers.
A part of Chelsea Piers that saw historic ocean liners RMS Lusitania and RMS Mauretania sail out of New York, as well as the arrival of The Titanic’s survivors aboard The Carpathia in 1912, is finally ready to begin its new life. Cunard’s former Pier 54 is now being transformed into an iconic floating park above the Hudson River called Pier 55, designed by Thomas Heatherwick.
After previously enduring a slight pause in construction, the site of the future Ronald O. Perelman Performing Arts Center has picked up the pace of steel assembly currently forming the bottom sub-levels of the 130-foot structure. They will eventually form the secondary entrance and exit to the World Trade Center’s Vehicle Security Center. The project is already above street level and is being developed by the Port Authority of New York and New Jersey (PANYNJ), and designed by Joshua Prince-Ramus of Brooklyn-based REX Architecture. A 99-year lease was already approved for the project by Governor Andrew Cuomo.
Last but not least in this week’s updates on the city’s Brownsville plan is the first look at Livonia 4, a mixed-use, multi-site development comprised of a series of adjacent parcels in Brownsville, Brooklyn. Construction is expected to begin this year and the project is the third new development announced as part of “The Brownsville Plan,” with design by Magnusson Architecture and Planning. The $1 billion initiative is expected to yield over 2,500 affordable homes, infrastructure upgrades, arts and cultural facilities, and new community service programs.
With a grand and unprecedented presence in the Midtown skyline, Hudson Yards continues to stop tourists and locals alike, as steel and concrete continue rising into the sky. Several days ago, just after dusk, one aspect of the complex caught a few people’s attention by surprise. The Vessel, created by British designer Thomas Heatherwick, seems to have been illuminated for the first time since the 150-foot public sculpture topped-out last year.